|
Michel Roux was a French baritone, an established principal at the Paris Opéra who also enjoyed an international career. He was born in Angoulême on 1 September 1924 and died in Paris on 4 February 1998.〔Goodwin N. Michel Roux. In: ''New Grove Dictionary of Opera'', ed Sadie S. Macmillan, London and New York, 1997.〕 Roux studied at the Bordeaux Conservatoire and in Paris, making his operatic debut on 5 October 1949 in ''Lakmé'' at the Opéra-Comique, going on to sing in ''Les Contes d'Hoffmann'', ''Manon'' and ''Pelléas and Mélisande'', creating l'Aveugle in ''Madame Bovary'' in 1951, and remaining a principal singer there until 1955.〔Wolff S. ''Un demi-siecle d'Opéra-Comique 1900-1950.'' André Bonne, Paris, 1953.〕 His debut at La Scala came in 1953 as Golaud, a role that became central to his repertory. From 1956 to 1970 Roux sang annually at Glyndebourne, making his debut as Count Almaviva in ''Le Nozze di Figaro.'' His American debut was at the Lyric Opera of Chicago in 1959; he also appeared at the Vienna Staatsoper and the Deutsche Oper in Berlin, as well as in Amsterdam, Brussels and Lisbon.〔Obituary: Michel Roux. New York Times, 9 February 1998.〕 Roux was known as an intelligent singer and a vivid stage actor.〔 During the 1950s he appeared in a series of comic French films directed by Julien Duvivier and in later life he taught at the École Normale de Musique de Paris.〔 In 1983 he took the title role in a revival of Christiné's ''Phi-Phi'' at the Théâtre des Bouffes Parisiens.〔Gänzl K, Lamb A. ''Gänzl's Book of the Musical Theatre.'' The Bodley Head, London, 1988.〕 His many recordings include: Raimbaud (''Le Comte Ory''), Escamillo (''Carmen''), Golaud (''Pelléas et Mélisande''), Mizgir (''The Snow Maiden''), Gondremarck (''La vie parisienne''), Calchas (''La belle Hélène'') and Mephistophélès (''La damnation de Faust''). == References == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Michel Roux (baritone)」の詳細全文を読む スポンサード リンク
|